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2018

Blue Sky Entanglements � 2017 Jane Boyer Hebe � 2017 Jane Boyer St John's Identity � 2017 Jane Boyer Lucretia � 2017 Jane Boyer Van Meckenem's Signature � 2017 Jane Boyer

2017

Disruptor � 2017 Jane Boyer Link2 � 2017 Jane Boyer Graphite-II � 2017 Jane Boyer ReCursive � 2017 Jane Boyer ReReCursive II � 2017 Jane Boyer
Ground Zero � 2017 Jane Boyer Selection_1 � 2017 Jane Boyer Selection_2 � 2017 Jane Boyer Traces � 2017 Jane Boyer Fragments � 2017 Jane Boyer
Disruptor Wall � 2017 Jane Boyer

2016

Wall_1 � 2016 Jane Boyer Wall_2 � 2016 Jane Boyer Wall_3 � 2016 Jane Boyer Wall_4 � 2016 Jane Boyer Wall_5 � 2016 Jane Boyer
Protected � 2016 Jane Boyer Pearls II � 2016 Jane Boyer Half&Half � 2016 Jane Boyer Home Etc. � 2016 Jane Boyer Gold Marilyn � 2016 Jane Boyer
Cursive � 2016 Jane Boyer C � 2016 Jane Boyer Recursion � 2016 Jane Boyer Invisible Agitation � 2016 Jane Boyer Dusting Memories_1 � 2016 Jane Boyer

2015

Graphite � 2015 Jane Boyer Enigma Wall � 2015 Jane Boyer Internationally Postage Stamps � 2015 Jane Boyer Internationally Collage � 2015 Jane Boyer Topographically Collage � 2015 Jane Boyer

2014

Three in Me � 2014 Jane Boyer Minerva � 2014 Jane Boyer Poison Bottle � 2014 Jane Boyer Gallery Moth � 2014 Jane Boyer Remember Me � 2014 Jane Boyer
Versions: Matrix � 2015 Jane Boyer Versions 5 � 2014 Jane Boyer Versions 1 � 2014 Jane Boyer Versions 3 � 2014 Jane Boyer Versions: Vestige � 2014 Jane Boyer

2013

Beach 3 � 2013 Jane Boyer Bed � 2013 Jane Boyer Curtains � 2013 Jane Boyer Door � 2013 Jane Boyer On the Green � 2013 Jane Boyer

I'm in year 4 of a 5 year practice-based Fine Art PhD at Cambridge School of Art, Anglia Ruskin University. My research involves simulacra and the self.

As an artist and a curator, the question of self and the role it plays in my practice is an important one, because I consider both disciplines to be autobiographical in nature, but neither my artwork nor curatorial projects are expressive of any conventional autobiographies. They contain autobiographical traces, fragments, and recursions which suggest my presence, but refuse any knowledge of me in them. What interests me in this is not the fact of the autobiographical, but the way we use it to communicate.

I'm a multi-media artist whose work is increasingly produced through the mediation of a screen to satisfy some desire to recycle existing works. Whether this is a desire to recreate myself, recycle my output generating new possibilities, or simply to recover what was discarded or lost, I can't quite distinguish. All are accurate and none are, quite.

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