Jane Boyer

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Author: JaneBoyer

May 31, 2022July 4, 2022

DL_3 (couple)

May 31, 2022July 4, 2022

DL_48 (patio)

May 31, 2022July 4, 2022

DL_7S (mother/child)

May 31, 2022July 5, 2022

DL_33 (blackbird)

May 31, 2022July 4, 2022

DL_68S (tanktop)

May 31, 2022July 4, 2022

DL_12S (car)

May 31, 2022July 4, 2022

DL_69S (house/man)

May 31, 2022July 5, 2022

DL_72S (brothers)

May 31, 2022July 5, 2022

DL_84 (blackdress)

May 31, 2022July 5, 2022

DL_76S (child)

May 31, 2022July 4, 2022

DL_65S (yell)

May 31, 2022July 4, 2022

DL_75S (nailpolish)

Photography is a persistent reminder of the division between how our eyes see versus the way the lens sees. This places us in the uncomfortable position of asking which is the dream — our perceptions of the world or the world captured in the photographic image? This kind of philosophical question on seeing, and its implied world-making, attract me to the photographic medium.

The moving image feels like the mind wandering to me. So my videos sit in the liminal space between reality and the dreamscape; between waking and drifting off into sleep where sound warps and fades. From this liminal space, this new video asks what have we done to water and air?

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